From a Governor's Birthplace to a Maestro's Courtyard: The Toscaninihof
The Toscaninihof looks permanent, as if the walls of the Salzburg Festival had always closed around this patch of paving. In fact the square is younger than the fame of the man it's named for, and the ground beneath it has a history of its own.
The Conductor Behind the Name
The square honours Arturo Toscanini, the Italian conductor who shaped the festival's most celebrated years. He came to Salzburg in the mid-1930s already a legend, an exacting perfectionist who had just turned his back on Bayreuth in protest at the politics of the new Germany. Here he conducted acclaimed opera and orchestral evenings that drew an international audience to the city and helped lift the festival to a new peak. For his seventieth birthday, in 1937, the city renamed the courtyard in his honour. The tribute soon carried a sharp edge: within a year, as Austria slid toward the Anschluss, he cancelled his Salzburg engagements in protest and never conducted here again. His name stayed on the stone.
A Courtyard Carved from the Festival District
The Toscaninihof itself is a by-product of the festival's growth. Until the late 1930s a private house stood here, the birthplace of the governor who did more than almost anyone to build the modern festival. When the festival halls were rebuilt and extended, the house came down and the courtyard opened up between the wings. Today it's boxed in by working theatre architecture: the Felsenreitschule cut straight into the rock, the Haus für Mozart with its tall stage gates, and the festival's own offices. An open-air organ sits in a stone balcony on the wall above, and two concrete reliefs of mask-holding figures flank the gates; knocked off during the Nazi years, they were later rebuilt by the original sculptor.
The Staircase and the Mountain
The most physical feature of the square is its staircase, the Clemens-Holzmeister-Stiege, named for the architect who reshaped the halls. Partly built in rough concrete that echoes the conglomerate rock around it, it climbs the flank of the Mönchsberg, linking the courtyard with the terraces above and carrying on to the paths across the hill. Halfway up, the view opens onto the private abbey garden of St. Peter and out over the rooftops to the Kapuzinerberg across the river. Below the stairs, the Felsentor opens into a pedestrian tunnel through the rock, with routes to the garage inside the mountain and toward the far side of the hill. Above it is the usual niche of Frau im Fels, a quiet figure by Stephan Balkenhol set here in 2007.
A Scene from The Sound of Music
For many visitors the Toscaninihof is, above all, a film location. In the closing act of The Sound of Music, as the family rehearses in the neighbouring Felsenreitschule, cars carrying Nazi officials sweep into the courtyard, and Rolf, now in uniform, hands Liesl a telegram from Berlin for her father. The film bends Salzburg's real geography for the sake of drama, but the square is genuine, and it still looks much as it did on screen.
































